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    <loc>https://www.elliotjreichert.net/writing/2025/9/4/wafaa-bilal-mca-chicago</loc>
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    <lastmod>2025-09-04</lastmod>
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      <image:title>WRITTEN - Wafaa Bilal @ MCA Chicago - Make it stand out</image:title>
      <image:caption>Wafaa Bilal, "Rendering of Canto III" (2024) (© Wafaa Bilal, courtesy the artist)</image:caption>
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    <loc>https://www.elliotjreichert.net/writing/2023/11/13/dala-nasser-the-renaissance-society</loc>
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    <lastmod>2023-11-27</lastmod>
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      <image:title>WRITTEN - Dala Nasser @ The Renaissance Society - Make it stand out</image:title>
      <image:caption>Installation view: Dala Nasser: Adonis River, the Renaissance Society, 2023. © Renaissance Society at the University of Chicago. Photo: Bob.</image:caption>
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  <url>
    <loc>https://www.elliotjreichert.net/writing/2023/10/11/mona-hatoum-mca-chicago</loc>
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    <priority>0.5</priority>
    <lastmod>2023-11-27</lastmod>
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      <image:title>WRITTEN - Mona Hatoum @ MCA Chicago - Make it stand out</image:title>
      <image:caption>Mona Hatoum, "Variation on Discord and Divisions" (1984), documentation of performance at Western Front, Vancouver, color video with sound; 27 minutes, 45 seconds</image:caption>
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  <url>
    <loc>https://www.elliotjreichert.net/writing/2023/5/11/monochrome-multitudes-smart-museum</loc>
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    <lastmod>2023-07-14</lastmod>
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      <image:title>WRITTEN - Monochrome Multitudes @ Smart Museum, UChicago - Make it stand out</image:title>
      <image:caption>Claire Zeisler, Triptych, 1967, Knotted and tied dyed wool. Smart Museum of Art, The University of Chicago, Gift of Mr. and Mrs. Joel Starrels, Sr., 1973.213a-c.</image:caption>
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  <url>
    <loc>https://www.elliotjreichert.net/writing/2022/8/30/an-alternative-future-a-mies-van-der-rohe-redux-in-indiana-newcity</loc>
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    <priority>0.5</priority>
    <lastmod>2022-09-19</lastmod>
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      <image:title>WRITTEN - Mies in Indiana, USA - Make it stand out</image:title>
      <image:caption>Ludwig Mies van der Rohe, Pi Lambda Phi Fraternity House project, Indiana University, Bloomington, IN (Main floor plan), 1951-1952, Museum of Modern Art, MR5109.3 © 2022 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn</image:caption>
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  <url>
    <loc>https://www.elliotjreichert.net/writing/2022/1/25/haig-aivazian-the-renaissance-society</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-25</lastmod>
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      <image:title>WRITTEN - Haig Aivazian @ The Renaissance Society - Make it stand out</image:title>
      <image:caption>Installation view of Haig Aivazian, Prometheus (2021), in All of the Lights, 2021 (photo by Useful Art Services)</image:caption>
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  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2020/4/20/on-the-matter-of-destruction</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1602176079178-4ZEUDBRSVWI3582BA9IR/moma2.jpg</image:loc>
      <image:title>WRITTEN - On the Matter of Destruction @ MoMA PS1</image:title>
      <image:caption>Monira Al Qadiri, Behind the Sun, 2013. Video (color, sound). 10:00 minutes. Courtesy of the artist.</image:caption>
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  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2019/4/25/whats-good-chicago</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1556474721312-LUVUVO9D9G7VGO16LEA5/e574437aa9cb82c0232496c1e069847c.jpeg</image:loc>
      <image:title>WRITTEN - What's Good, Chicago?</image:title>
      <image:caption>Theaster Gates, installation view of Every Square Needs a Circle, Spring 2019</image:caption>
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  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2019/4/24/breakout-artists-2019</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-28</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1556474920228-3TKPE733ZKLZBYHULOPT/P001_Newcity5.1.19.gif</image:loc>
      <image:title>WRITTEN - Breakout Artists 2019</image:title>
      <image:caption>Cover art: Melissa Leandro, Newcity Breakout Artist 2018</image:caption>
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  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2019/3/1/the-philanthropist-and-the-photographer-on-dawoud-beys-career-and-recent-work</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1551461427536-B5EJFWHNONQCL60MD6O9/Untitled1.jpg</image:loc>
      <image:title>WRITTEN - The Philanthropist and the Photographer: On Dawoud Bey’s Career and Recent Work</image:title>
      <image:caption>Dawoud Bey, Untitled #1 (Picket Fence and Farmhouse),” from the series “Night Coming Tenderly, Black, 2017. Rennie Collection, Vancouver.</image:caption>
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  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2019/2/28/west-by-midwest</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1551461255809-2DZA9KYULTXXBNX6KSKE/reichert-1.jpg</image:loc>
      <image:title>WRITTEN - West By Midwest @ MCA Chicago</image:title>
      <image:caption>Ed Ruscha, Words Without Thoughts, 1986. © Ed Ruscha. Photo: Nathan Keay, © MCA Chicago.</image:caption>
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  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2019/1/3/the-price-of-anything-art-against-commodity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1547055383349-5462MN7LMRUP9MQLKGTO/Larry-Poons.png</image:loc>
      <image:title>WRITTEN - The Price of Anything: Art Against Commodity</image:title>
      <image:caption>Larry Poons, Still from “The Price of Everything,” 2018 /HBO</image:caption>
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  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2018/12/22/popel-the-escape</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1545508658841-Y7F8391ZZGMER9TXGTZQ/Reichert-PopeL-1.jpg</image:loc>
      <image:title>WRITTEN - Pope.L: The Escape @ Art Institute of Chicago</image:title>
      <image:caption>PopeL, The Escape, 2018. Art Institute of Chicago.</image:caption>
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  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2018/9/6/speaking-truth-with-power-a-conversation-with-rashayla-marie-brown</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1537211992553-AS1UE9DJ3L1XY484MWK5/NewCityArt50_20180801_278.gif</image:loc>
      <image:title>WRITTEN - Speaking Truth With Power: A Conversation With Rashayla Marie Brown</image:title>
      <image:caption>Rashayla Marie Brown, on location at the Zhou B Art Center/Photo: Nathan Keay</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2018/9/17/art-50-2018-chicagos-artists-artists</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1537211197944-DQZCIDGWOP92INQRKQYL/Hunt_NewCityArt50_20180814_16824.jpg</image:loc>
      <image:title>WRITTEN - Art 50 2018: Chicago's Artists' Artists</image:title>
      <image:caption>Richard Hunt/Photo: Nathan Keay</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2018/7/14/otobong-nkanga-mca-chicago</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-07-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1531627951851-I30CSCYSA7UJDOGM638C/Reichert-Nikanga-1.jpg</image:loc>
      <image:title>WRITTEN - Otobong Nkanga @ MCA Chicago</image:title>
      <image:caption>Otobong Nkanga, In Pursuit of Bling: The Transformation, 2014. Courtesy Lumen Travo Gallery, Amsterdam and Galerie In Situ – Fabienne Leclerc, Paris.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2018/12/5/four-hundred-miles-to-cleveland</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-12-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1544035865659-ELDB90MJBLHT0BHCE7FP/Original-Stanczak-Mural.jpg</image:loc>
      <image:title>WRITTEN - Four Hundred Miles to Cleveland</image:title>
      <image:caption>Julian Stanczak, “Carter Manor,” 1973, a commission from the Cleveland City Mural Project, will be repainted at the original site at Winton Manor on Prospect and 9th Street.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2018/6/21/alls-fair-in-love-and-war-david-wojnarowicz-artpositive-and-aids-activism-then-and-now</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-06-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1529580780852-JDTJ3X5NZWOV30SY99M0/page87.jpg</image:loc>
      <image:title>WRITTEN - All’s Fair in Love and War: David Wojnarowicz, ART+Positive and AIDS Activism Then and Now</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2018/5/25/new-frontiers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-05-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1527512516487-WRHYI9WKX626DHRIPK29/2130-W.-Fulton-CAC-Signage.jpg</image:loc>
      <image:title>WRITTEN - Chicago's New Frontiers for Art and Artists</image:title>
      <image:caption>The new Chicago Artists Coalition facility at 2130-40 West Fulton Street with the hypothetical rendering of artwork, “Seep” by artist Erik L. Peterson</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2018/4/26/breakout-artists-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1525377789250-LMC7MM5Q14VOHVT9L9DQ/P001_Newcity5.1.18.gif</image:loc>
      <image:title>WRITTEN - Breakout Artists 2018: Chicago's Next Generation of Image Makers</image:title>
      <image:caption>Cover design and artwork: Huong Ngo, Breakout Artist 2017</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2018/4/13/ads-without-additives-on-hank-willis-thomas-unbranded-series</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-05-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1523541321510-69L4LA2GLKWTO0I8VS6X/1.HankWillisThomas-Farewell-Uncle-Tom.jpg</image:loc>
      <image:title>WRITTEN - Ads Without Additives, On Hank Willis Thomas' "Unbranded" Series</image:title>
      <image:caption>Hank Willis Thomas, "Farewell Uncle Tom," 1971/2007, LightJet Print, 55 x 46 inches / Jack Shainman Gallery, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2018/3/29/drawing-lessons-from-a-living-history-mounira-al-solh-at-the-art-institute-of-chicago</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1522354816211-NFI63PXBFE7OTY953UWL/MS_I-strongly-believe-in-our-right-to-be-frivolous-107-2015_mixed-media-drawing-on-legal-paper_286-x-21-cm.NEW_.jpg</image:loc>
      <image:title>WRITTEN - Drawing Lessons From A Living History: Mounira Al-Solh @ Art Institute of Chicago</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2018/2/25/the-body-as-work</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-05-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1519601632346-ND28J72HI5L8ZCX69N7P/PINPP163-hi-res.jpg</image:loc>
      <image:title>WRITTEN - The Body As Work: Naomi Beckwith on Howardena Pindell</image:title>
      <image:caption>Howardena Pindell, "Untitled #58," 1974 /Collection of James Keith Brown and Eric Diefenbach, New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2018/1/7/monumental-debates-on-the-future-of-our-past</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-04-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1515375178867-0BL4CETII756X9TZ596Z/Defense_Henry_Hering.jpg</image:loc>
      <image:title>WRITTEN - Monumental Debates On the Future of Our Past: What To Do With Our Bad Statues?</image:title>
      <image:caption>Henry Hering, “Defense,” 1928. Relief on the southwestern tower of the Michigan Avenue Bridge in Chicago.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2017/11/10/just-in-time</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1510319342868-JGQWWFCFLBJBGUQ468FS/02+Mr+Electrico.jpg</image:loc>
      <image:title>WRITTEN - Just In Time: Just In Time: Apichatpong Weerasethakul’s Triumphant Return to Chicago</image:title>
      <image:caption>Apichatpong Weerasethakul, “Mr. Electrico (For Ray Bradbury),” 2014, lightbox, inkjet print on Duratrans</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2017/10/7/documents-infield-w-sanaz-sohrabi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1507563592527-CD2QJ08YR1FB591SLLH8/unnamed.jpg</image:loc>
      <image:title>WRITTEN - Documents Infield w/ Sanaz Sohrabi</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2017/10/5/of-cats-and-dogs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1507563035209-Q8PDI5HREQOADWP2H9RB/image-asset.jpeg</image:loc>
      <image:title>WRITTEN - Of Cats and Dogs</image:title>
      <image:caption>Andy Warhol, “Little Race Riot,” 1964, the Art Institute of Chicago</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2017/9/17/expo-2017-middle-east-midwest</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1505758944722-D6GJY5R0YPL9JE3FG7G1/6Y6A3256-joe-mazza-newcity-art-50-2017.jpg</image:loc>
      <image:title>WRITTEN - EXPO 2017: Middle East, Midwest</image:title>
      <image:caption>Omar Kholeif/Photo: Joe Mazza, Brave Lux</image:caption>
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  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2017/9/1/art-leader-of-the-moment-deana-haggag</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-05-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1504275814589-X1CLV4TMK90C496O22OL/joe-mazza-chicago-newcity-art-50-2017-6Y6A6151.jpg</image:loc>
      <image:title>WRITTEN - Art Leader of the Moment: Deana Haggag</image:title>
      <image:caption>Deana Haggag/Photo: Joe Mazza, Brave Lux</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2017/8/10/georges-didi-hubermans-the-surviving-image</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1502390032672-9ERE7VQIT1NCOXOHWG76/image-asset.jpeg</image:loc>
      <image:title>WRITTEN - Georges Didi-Huberman's The Surviving Image</image:title>
      <image:caption>The Surviving Image Phantoms of Time and Time of Phantoms: Aby Warburg's History of Art, Georges Didi-Huberman, translated by Harvey Mendelsohn</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2017/7/31/cultivating-faith-from-the-margins</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1501486074326-XRBOPN49I7YZHAFP6WJK/image-asset.jpeg</image:loc>
      <image:title>WRITTEN - Cultivating Faith from the Margins</image:title>
      <image:caption>Zaynab Shahar and Mahdia Lynn/Photo: Monica Kass Rogers</image:caption>
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  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2017/6/1/off-the-record</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1496406349629-CZSKT1H2X1QYQWBQQIWY/Lior+Modan%2C+%E2%80%9CModern+Swimmer%2C%E2%80%9D+2016.+Wood%2C+mesh%2C+clay%2C+foam%2C+plastic%2C+synthetic+mesh%2C+resin%2C+61+x+81+x+5+inches</image:loc>
      <image:title>WRITTEN - Off The Record</image:title>
      <image:caption>Lior Modan, “Modern Swimmer,” 2016. Wood, mesh, clay, foam, plastic, synthetic mesh, resin, 61 x 81 x 5 inches</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2017/4/27/the-stolbun-collection-at-sullivan-galleries</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1493321396515-NFBNT5TO2EB5Y1RWGLB1/image-asset.png</image:loc>
      <image:title>WRITTEN - The Stolbun Collection at Sullivan Galleries</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2017/4/27/newcitys-breakout-artists-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-04-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1493312191954-0M9CH8PXST7RPFOC61J7/image-asset.gif</image:loc>
      <image:title>WRITTEN - Newcity's Breakout Artists 2017</image:title>
      <image:caption>Cover illustration by Chad Kouri, Breakout Artist 2011</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2017/4/27/merce-cunningham-common-time</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-04-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1493313713641-IBRI6LQKO8FBRL8XNKB9/Hazel+Larsen+Archer_Cunningham+BMC+.jpg</image:loc>
      <image:title>WRITTEN - Merce Cunningham: Common Time</image:title>
      <image:caption>Merce Cunningham at Black Mountain College, 1948. Photo: Hazel Larsen Archer, courtesy of the Estate of Hazel Larsen Archer and the Black Mountain College Museum + Arts Center.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2017/4/27/the-avant-garde-of-human-rights</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1493311861893-LERTEGISDBZI1FIPVQL6/image-asset.jpeg</image:loc>
      <image:title>WRITTEN - The Avant-Garde of Human Rights</image:title>
      <image:caption>Decolonizing Architecture Art Residency, “The Lawless Line,” 2010. Photo: Amina Bech</image:caption>
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  <url>
    <loc>https://www.elliotjreichert.net/writing/2017/4/27/glorious-and-wasted</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1493311200038-AR7SPU4KENLFKXTOY0IE/image-asset.jpeg</image:loc>
      <image:title>WRITTEN - Glorious and Wasted</image:title>
      <image:caption>Francesca Woodman, “On Being An Angel, Providence, Rhode Island, Spring 1977,” 1977. /Photo: Nathan Keay</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2017/7/31/qalandiya-international-2016</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1501486739110-QG8HYV8EXO623CBNP1R0/image-asset.jpeg</image:loc>
      <image:title>WRITTEN - Qalandiya International 2016</image:title>
      <image:caption>Inas Halabi, Mnemosyne, 2016. Video installation. Courtesy the artist.</image:caption>
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  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2016/12/9/a-banner-year-the-culture-war-must-be-won</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1493490448329-FIY5XQHHWA08LKLVI2NQ/AA+Bronson%2C+%E2%80%9CWhite+Flag+%232%2C%E2%80%9D+2015</image:loc>
      <image:title>WRITTEN - A Banner Year: The Culture War Must Be Won</image:title>
      <image:caption>AA Bronson, “White Flag #2,” 2015</image:caption>
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  <url>
    <loc>https://www.elliotjreichert.net/writing/2016/11/16/drinking-in-fluxus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1493496128047-03G4R3YM6X2Q94YZ5NPO/Label+art+for+Concrete+Traffic+by+Erik+L.+Peterson</image:loc>
      <image:title>WRITTEN - Drinking in Fluxus</image:title>
      <image:caption>Label art for Concrete Traffic by Erik L. Peterson</image:caption>
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  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2016/11/1/wish-you-were-here</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1493666059866-RNVX5SZXJX1DFJE404CA/image-asset.jpeg</image:loc>
      <image:title>WRITTEN - Wish You Were Here</image:title>
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  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2016/10/13/losing-it</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1493491139143-9Z53M68II86N4BJCK2TF/Every+House+Has+A+Door%2C+Choreographic+notes+for+Trunk+Show+performance%2C+Fall+2016</image:loc>
      <image:title>WRITTEN - Losing It</image:title>
      <image:caption>Every House Has A Door, Choreographic notes for Trunk Show performance, Fall 2016</image:caption>
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  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2016/9/24/expo-2016-critical-complaints</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1493491485938-U3PSMLEDVFIF8YEQC1NT/Photo%3A+Elliot+J.+Reichert</image:loc>
      <image:title>WRITTEN - EXPO 2016: Critical Complaints</image:title>
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  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2016/9/16/a-lot-of-sorrow-at-the-art-institute</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1493492657302-RVCP59JGEB6S2MBMF8ML/image-asset.png</image:loc>
      <image:title>WRITTEN - A Lot of Sorrow at the Art Institute</image:title>
      <image:caption>Folio from a Qur’anic manuscript, 10th century A.D. Probably Tunisia, Qayrawan. Collection of the Art Institute of Chicago</image:caption>
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  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2016/9/14/edra-sotos-really-good-year</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1493667089093-XOUNN7RZFJ7374K61OOI/Edra+Soto+%2FPhoto%3A+Joe+Mazza</image:loc>
      <image:title>WRITTEN - Edra Soto’s Really Good Year</image:title>
      <image:caption>Edra Soto /Photo: Joe Mazza</image:caption>
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  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2016/9/1/gabriela-salazar-eye-of-palm</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1493495458641-LRJCWMAJ01WEESTIM9G3/Gabriela+Salazar%2C+Notional+Navigational+Handrail+%2C+2016.+Ink+and+cont%C3%A9+pencil+on+paper.+Courtesy+Efrain+Lopez+Gallery.</image:loc>
      <image:title>WRITTEN - Gabriela Salazar: Eye of Palm</image:title>
      <image:caption>Gabriela Salazar, Notional Navigational Handrail, 2016. Ink and conté pencil on paper. Courtesy Efrain Lopez Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2016/8/31/399-days-in-the-art-world</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1493665347135-FLDDLLFJLM35W6LK8DQ1/Screen-Shot-2016-08-26-at-4.26.30-PM.png</image:loc>
      <image:title>WRITTEN - 399 Days in the Art World</image:title>
      <image:caption>Derrick Adams, “Free, Black and 21” for Messages in the Street at 2841 West Madison, Summer 2016</image:caption>
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  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2016/7/25/from-beirut-with-love</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1493492015931-ZQDC0K138MV23W8QHPJA/Michael+Rakowitz%2C+Installation+view+of+%E2%80%9CThe+Flesh+Is+Yours%2C+The+Bones+Are+Ours%E2%80%9D+at+the+Graham+Foundation%2C+Summer+2016+%2FPhoto%3A+RCH%7CEKH</image:loc>
      <image:title>WRITTEN - From Beirut, With Love</image:title>
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  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2016/6/30/anything-but-an-art-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1493666254110-3NPHT794O2QC4A8DLD9I/unspecified.jpeg</image:loc>
      <image:title>WRITTEN - Anything But An Art Gallery</image:title>
      <image:caption>At the opening of Jack Early’s exhibition, The Suburban Riverwest, Spring 2016 /Photo: Joel Cash</image:caption>
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  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2016/6/16/killing-time</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1493493373288-QP1T6QQQY99KP5D6ITJH/The+Propeller+Group%2C+%E2%80%9CThe+Living+Need+Light%2C+The+Dead+Need+Music%2C%E2%80%9D+2014</image:loc>
      <image:title>WRITTEN - Killing Time</image:title>
      <image:caption>The Propeller Group, “The Living Need Light, The Dead Need Music,” 2014</image:caption>
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  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2016/5/26/the-sun-is-bright-in-florida</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1493493712545-QL8LL6M6BOFLDRGZHI8Z/Jason+Lazarus%2C+Installation+view+of+%E2%80%9CThe+Rickshaw%E2%80%9D+at+Andrew+Rafacz+Gallery%2C+Spring+2016</image:loc>
      <image:title>WRITTEN - The Sun is Bright in Florida</image:title>
      <image:caption>Jason Lazarus, Installation view of “The Rickshaw” at Andrew Rafacz Gallery, Spring 2016</image:caption>
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  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2016/4/28/newcitys-breakout-artists-2016</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1493666639364-1HMXIWCL3HY8B5UQ1J5U/Cover+design+by+Alexandria+Eregbu%2C+Breakout+Artist+2015</image:loc>
      <image:title>WRITTEN - Newcity's Breakout Artists 2016</image:title>
      <image:caption>Cover design by Alexandria Eregbu, Breakout Artist 2015</image:caption>
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  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2016/4/14/going-down-swinging</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1493665669139-HTBR2FEI7UJ82O6O3MDS/John+Preus.+%E2%80%9CMascot%2C%E2%80%9D+2014.+Carving+on+student+desk+top.</image:loc>
      <image:title>WRITTEN - Going Down Swinging</image:title>
      <image:caption>John Preus. “Mascot,” 2014. Carving on student desk top.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2016/2/24/first-day-a-conversation-with-james-rondeau-the-new-director-of-the-art-institute-of-chicago</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1493667468327-NB935DE70TZB635GAHG5/James+Rondeau%2FPhoto%3A+Joe+Mazza%2FBrave+Lux</image:loc>
      <image:title>WRITTEN - First Day: A Conversation with James Rondeau</image:title>
      <image:caption>James Rondeau/Photo: Joe Mazza/Brave Lux</image:caption>
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  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2016/2/24/making-space-for-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1501750844261-E0OCGD8N560TP74VAX3S/PressPackage_NoLogo.jpg</image:loc>
      <image:title>WRITTEN - Making Space for Art</image:title>
      <image:caption>Atrium of the Digital Museum of Digital Art (DiMoDA)/Photo: DiMoDA</image:caption>
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  <url>
    <loc>https://www.elliotjreichert.net/writing/2016/1/14/double-take</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1501750529367-YW5HBZ9J5LA4GBCKI76J/image-asset.jpeg</image:loc>
      <image:title>WRITTEN - Double Take</image:title>
      <image:caption>Andy Warhol. “Big Electric Chair,” 1967-68</image:caption>
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  <url>
    <loc>https://www.elliotjreichert.net/writing/2015/12/17/politics-of-representation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1501751247629-EYH05GI071Y8PNA0T3N4/image-asset.jpeg</image:loc>
      <image:title>WRITTEN - Politics of Representation</image:title>
      <image:caption>“GERMONEY” banner at the German Pavilion, 56th Venice Biennale./Photo: Hito Steyerl</image:caption>
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  <url>
    <loc>https://www.elliotjreichert.net/writing/2015/11/19/freedom-from-information</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1501751066584-WVE44XM924DME7R154U0/image-asset.jpeg</image:loc>
      <image:title>WRITTEN - Freedom From Information</image:title>
      <image:caption>Dora Garcia. “Ulysses,” since 1999. Trimmed book, unlimited edition.</image:caption>
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  </url>
  <url>
    <loc>https://www.elliotjreichert.net/writing/2015/10/1/the-death-of-the-critic</loc>
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    <priority>0.5</priority>
    <lastmod>2017-08-03</lastmod>
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  <url>
    <loc>https://www.elliotjreichert.net/writing/2015/9/17/arts-anxious-power</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-03</lastmod>
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      <image:title>WRITTEN - Art’s Anxious Power</image:title>
      <image:caption>Andy Warhol. “Mona Lisa Four Times,” 1978. The Art Institute of Chicago, Gift of Edlis/Neeson Collection. © 2015 The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York.</image:caption>
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  <url>
    <loc>https://www.elliotjreichert.net/writing/2014/9/28/the-chicago-effect</loc>
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    <priority>0.5</priority>
    <lastmod>2017-09-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59021a2c2994ca40051cfc2c/1493497682538-JA9GB5HQZLTOUMFK7FK9/Installation+view+featuring+works+by+Marissa+Lee+Benedict+and+Assaf+Evron.</image:loc>
      <image:title>WRITTEN - The Chicago Effect</image:title>
      <image:caption>Installation view featuring works by Marissa Lee Benedict and Assaf Evron.</image:caption>
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    <loc>https://www.elliotjreichert.net/writing/category/Art</loc>
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