Elliot J. Reichert is a Chicago-based curator, critic, and editor.


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Art’s Anxious Power

Andy Warhol. “Mona Lisa Four Times,” 1978. The Art Institute of Chicago, Gift of Edlis/Neeson Collection. © 2015 The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York.

Andy Warhol. “Mona Lisa Four Times,” 1978. The Art Institute of Chicago, Gift of Edlis/Neeson Collection. © 2015 The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York.

Art’s Anxious PowerNewcity Art

How will curators arrange and introduce these canonical works in order to disrupt the codified narratives they present about cultural production in and beyond art? How will educational programs generate new knowledge about these field-defining artists and the exclusions their prominence obscures? How will young artists—and their teachers—study these works and respond with new forms?

The Death of the Critic

The Chicago Effect