Elliot J. Reichert is a Chicago-based curator, critic, and editor.


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The Body As Work: Naomi Beckwith on Howardena Pindell

Howardena Pindell, "Untitled #58," 1974 /Collection of James Keith Brown and Eric Diefenbach, New York

Howardena Pindell, "Untitled #58," 1974 /Collection of James Keith Brown and Eric Diefenbach, New York

I always consider myself playing a long-term game in art history. I’m putting something on the table that I imagine should be part of a conversation that will extend well beyond the life of the artists I work with in the contemporary field and well beyond my life.
— Naomi Beckwith

Drawing Lessons From A Living History: Mounira Al-Solh at the Art Institute of Chicago

Monumental Debates On the Future of Our Past: What To Do With Our Bad Statues?